Spoken interview

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Here’s some background information for starters:

Don Bodey: I  live near where I was born, in  rural Indiana, in places I keep saying I am “fixing up,” like I’ve been saying about places in Florida for awhile, Oregon for nine years, Chicago for another nine. I’m a carpenter, and for most of my life I’ve been making my living by “fixing” houses while  I live there amongst the fixings, then get another one, fix it up.

Somehow I’ve also been a writer and sometimes a teacher of writing. I’ve taught at colleges and universities as a part timer. I got my Bachelor’s degree in 1968 and was immediately drafted into the Army, trained to be a mortar man, sent to Vietnam for 405 days, discharged. I earned  my MFA at Oregon, and came away with the beginning of  what would become F.N.G. 

I spent some years building houses on the coast, then ended up in Chicago, teaching and writing. Within six months, in 1985, my book came out, then won the Midland Award, and my house burned down. That tragedy overwhelmed the book. With two old friends–one was  81 years old–I bought a bar in a rather “tough” Chicago neighborhood and that lasted 3 years, during which I became a father. Full circle:20 years after I left, I came back to Indiana, with my wife and son, and went to work as a carpenter again, for the ensuing 20 years.

Without the mental wherewithal to be a writer and a fixer-upper, I assumed the pragmatic role of a carpenter again, and writing all but disappeared from my life. But it’s a strong pull to want to write, so when a publisher, Victor Volkman, offered to re-publish the book, and suggested I write something to tie it into today, I jumped at the chance. It took about 18 months to put it together, but the happy result is this new edition, which ultimately, consequently, brings me here.

Geometric Patterns, Angles and the Guitar

SKU 978-1-61599-751-0
$15.95
A 'Chordological' Shifting Perspective
1
Product Details
UPC: 978-1-61599-751-0
Brand: Modern History Press
Binding: Paperback
Edition: 1st
Author: Steve Persaud
Pages: 26
Publication Date: 08/01/2023

A Novel Approach to Learning Guitar Chord Progressions

This treatise seeks to encourage guitarists of all levels to find their voice by experimenting and creating chordal ideas by playing notes on any part of the fingerboard to come up with their own chord shapes and patterns and not necessarily familiar, geometric shapes. These chord progressions can express an emotion or tone, be it sad, happy, humorous, mysterious, and the next step is to use an online chord app (if needed) to determine the names of the chords that were created. Guitarists who compose instrumental pieces will not be limited by conventional chord shapes but can come up with unusual chordal ideas that highlight their creative and compositional abilities against a background of shapes and patterns.

"This is interesting! I am an intermediate-level guitar player, and I am only familiar with moving basic chord shapes vertically, but I do think it would have been very useful if I had been familiar with these chord shapes, and this concept of moving them horizontally, earlier in my learning process." -- Dennis Dezentje, The Netherlands

"I have read this book repeatedly and found it quite interesting. It did not take long to recognize the genius it unleashed. As I explored Persaud's Geometric Patterns, Angles and the Guitar and applied its principles, I most certainly wished I had had access to it much earlier during my exposure to advanced guitar methods." -- Hezekiah Dean, District Superintendent of Education (retired), Bahamas

"This method can revolutionize the way a student is taught to play a musical instrument. Many students have problems processing words. For many of them, learning through visualizing shapes and the pattern of movements will be easier because the concept is more concrete. Geometric Patterns, Angles and the Guitar will have great success with both tactile and visual learners." -- Mary Moncur Grey, B.A., Dip Ed., MBA

"The author provides an interesting geometrical concept, something that the mathematically oriented guitarist will certainly appreciate. Geometric Patterns, Angles and the Guitar will open up a less-trodden path for guitarists, allowing them to explore chord construction, sounds and tonalities. Welcome to music creativity beyond basic music theory." --Rehman Abdul, M.S., P. Eng., Geotechnical Engineer

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